Who Are We Now? is an initiative from Theatre Alberta that brings you editorial perspectives from a variety of Albertan artists, educators, administrators, and technicians about the ever-changing world of live theatre. We hope you’ll find them useful as you process your own evolving reality.
Hate Based Crimes in Relation to Equity, Diversity, and Inclusion Unless I am casted as a killer in a play, murder is not a part
Frission, or the Unbearable Virtue of Molecules Gathering I wanted—needed—the show to happen in person this year. The profound connection that we form by physical
Curiosity Liberated The Cat Kijo Eunice Gatama Curiosity didn’t kill the cat, I think it actually liberated it and gave it the satisfaction of learning
The Artwork and Its Compassions Simone A. Medina Polo When I had an opportunity to write the first essay for this year’s run of Who
Three years ago, I started writing a show called Wastelands. In creating that piece, I studied the plastic waste and climate crises. I went in feeling that we were in trouble, that was the reason for writing the show, but as an artist I didn’t see what I could do. This was a job for policy-makers, scientists, and industry. My skills weren’t useful here.
I feel like I have experienced a sort of winter in our industry. Where some things must die so that new growth can emerge. I saw the sudden death of my frantic schedule. A full stop that was pleasant at first, but soon challenged our ‘the show must go on’ sensibility to ‘I guess the show doesn’t have to go on… can’t go on” sobriety
I was directing Five Women Wearing the Same Dress by Alan Ball for Canmore’s Pine Tree Players when the second round of COVID restrictions hit Alberta. Even though there were bigger-picture things to get worked up about, I was upset.
We are children of the wind, we are children of the water, the fire, and the light. These are the things that make us who we are. Our voices sing the memories. The sound of mahbash – coffee ground by a father’s hand and the smell of khubz – bread kneaded with a mother’s heart.
The following essay was brought to our attention by University of Calgary School of Performing Arts Sessional Instructor Léda Davies. We’re thrilled to get this
MOVING TO A BIGGER STAGE – Chris Dodd Historically, pandemics have forced humans to break with the past and imagine their world anew. This one
WHAT I WOULD LEAVE AND WHAT I WOULD KEEP I’m a designer during a pandemic. I’ve been trying to write an essay about the experience
LOOKING TO THE PAST TO SEE THE FUTURE: A LEBANESE-CANADIAN MANIFESTO – Luay Eljamal The following essay pulls from research I conducted in 2016 for
FORGING A NEW PATH – Suzanne Hermary The thoughts herein are my own and do not necessarily reflect the views of the organizations with whom
WHO ARE WE NOW, AND WHERE ARE WE GOING – Lebogang Disele Pandemic Round 1: NextFest goes online. I submit my performance in the form
FACING FORWARD, LOOKING BACK A Letter To (and From) Sue Goberdhan, for you Well Homeslice, we made it. 28. Holy shit. Almost don’t have the
IT IS NOT JUST TO HAVE A MESTIZO TRANS WOMAN IN POWER – Simone A. Medina Polo At the beginning of October 2020, I took
FROM THE DESK OF AN APOCALYPSE DOULA – Jacquelyn Cardinal One of the clearest varieties of memory I have of my childhood were the nights
TURNING TOWARDS – Jenna Shummoogum As I look around at what appears to be the second wave, the highest numbers of COVID cases in
THE BEST MAN FOR THE JOB – Makram Ayache When a friend of mine shared the news of the new Alberta Artist in Residence on
21 QUESTIONS FOR THE WHITE MAN IN PONOKA – Makambe K Simamba It was the summer, and I’d found myself at the County Fair of
COVID-19 AT 17 – Nalyn Tindall When schools across the country were put on hold last March, I had no idea that this is what
THE NUMBERS DON’T LIE – Daryl Cloran The numbers don’t lie. At the Citadel Theatre we spent the summer collecting data on the composition
Our next essay comes to us courtesy Inside Out Theatre’s Point of View Ensemble with contributions from Meighan Wong, Jennifer Stewart, Mike Keir, and Damon
ONE YEAR AGO – Tai Amy Grauman Exactly one year ago I was in Paris, getting on a train that was Edinburgh bound. Funny
COVID has undoubtedly marked our work indelibly, both in terms of practice and philosophy. This new, short-term initiative from Theatre Alberta brings you editorial perspectives