I was directing Five Women Wearing the Same Dress by Alan Ball for Canmore’s Pine Tree Players when the second round of COVID restrictions hit Alberta. Even though there were bigger-picture things to get worked up about, I was upset.
We are children of the wind, we are children of the water, the fire, and the light. These are the things that make us who we are. Our voices sing the memories. The sound of mahbash – coffee ground by a father’s hand and the smell of khubz – bread kneaded with a mother’s heart.
The following essay was brought to our attention by University of Calgary School of Performing Arts Sessional Instructor Léda Davies. We’re thrilled to get this insight into what post-secondary theatre students are thinking about, researching, and writing about right now. Thank you Sofia Huarte Aguilar for sharing this excellent essay!
MOVING TO A BIGGER STAGE – Chris Dodd Historically, pandemics have forced humans to break with the past and imagine their world anew. This one is no different. It is a portal, a gateway between one world and the next. We can choose to walk through it, dragging the carcasses
WHAT I WOULD LEAVE AND WHAT I WOULD KEEP I’m a designer during a pandemic. I’ve been trying to write an essay about the experience of designers, technicians, and production staff during COVID, but admittedly (and unsurprisingly) it’s not easy. There is no succinct phrase or line of dialogue to
LOOKING TO THE PAST TO SEE THE FUTURE: A LEBANESE-CANADIAN MANIFESTO – Luay Eljamal The following essay pulls from research I conducted in 2016 for a paper entitled “The Manipulation of Collective Memory Through Art in Post-Civil War Lebanon”, which can be read in its entirety here. When I first
FORGING A NEW PATH – Suzanne Hermary The thoughts herein are my own and do not necessarily reflect the views of the organizations with whom I work. I’m fairly new to the Board of the group I work with, so most observations are coming from the perspective of a community
WHO ARE WE NOW, AND WHERE ARE WE GOING – Lebogang Disele Pandemic Round 1: NextFest goes online. I submit my performance in the form of a video excerpt. Pandemic Round 2: Antidote to Violence as Care, a collaborative project led by Brandon Wint, shifts from a live performance to
FACING FORWARD, LOOKING BACK A Letter To (and From) Sue Goberdhan, for you Well Homeslice, we made it. 28. Holy shit. Almost don’t have the audacity to believe it, but we’re here. When you really stop and think about it, it’s kind of a miracle, isn’t it? Our dumb ass
IT IS NOT JUST TO HAVE A MESTIZO TRANS WOMAN IN POWER – Simone A. Medina Polo At the beginning of October 2020, I took on the role of Festival Producer for the Nextfest Arts Company. Though it is most certainly exciting and a significant personal achievement, it is not
FROM THE DESK OF AN APOCALYPSE DOULA – Jacquelyn Cardinal One of the clearest varieties of memory I have of my childhood were the nights when Hunter, my younger brother, and I were treated to myth-sharing by our Dad. Rather than reading the usual storybook chosen from our shared collection,
TURNING TOWARDS – Jenna Shummoogum As I look around at what appears to be the second wave, the highest numbers of COVID cases in Alberta ever, new restrictions looming and medical doctors sounding the alarm, all I can see is grief. I’m pretty familiar with the messiness of
THE BEST MAN FOR THE JOB – Makram Ayache When a friend of mine shared the news of the new Alberta Artist in Residence on social media, they were understandably leery of the decision. The current government hasn’t exactly been discreet about some faith-based motivations underlying their legislative decision making.
21 QUESTIONS FOR THE WHITE MAN IN PONOKA – Makambe K Simamba It was the summer, and I’d found myself at the County Fair of Ponoka of all places. I was there by circumstance, not choice. I’m a theatre artist, so between gigs, I do wacky jobs to help make
COVID-19 AT 17 – Nalyn Tindall When schools across the country were put on hold last March, I had no idea that this is what life would become. I did not picture entering my high school classroom masked each morning, coating my hands in sanitizer after each doorway I step
THE NUMBERS DON’T LIE – Daryl Cloran The numbers don’t lie. At the Citadel Theatre we spent the summer collecting data on the composition of our artists, staff and board from over the past 10+ years. Executive Director Chantell Ghosh and I have worked closely with our incredible Associate
Our next essay comes to us courtesy Inside Out Theatre’s Point of View Ensemble with contributions from Meighan Wong, Jennifer Stewart, Mike Keir, and Damon Lawson, and support from Jeremy Park and Michelle Brandenburg. SCATTERED BUT STILL THERE – The Point of View Ensemble | September 2, 2020 In Mid-march,
ONE YEAR AGO – Tai Amy Grauman Exactly one year ago I was in Paris, getting on a train that was Edinburgh bound. Funny how time works isn’t it? Around this time is also when I decided it was time to move home. For those of you