eScripts

A Christmas Carol – Keyano Theatre Company
Photo Credits

Theatre Alberta Library eScripts are unpublished plays that have been produced in Alberta, written by local playwrights. You can search and access these plays from our online catalogue or from this webpage. Scroll down to access current eScripts (organized by playwright).

If you have any questions or comments about our eScript service, please contact us at [email protected].

Click here for more information about Theatre Alberta Library eScripts. Specific questions about each play should be directed to the playwright.

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Linda Wood Edwards

Smiling Middle-Aged White Woman With Mid-length Light Hair In Red Top and Jean Jacket

Linda has been producing her plays since 2005: The Great Whorehouse Fire of 1921 (co-written w/David Cheoros 2018), Trail and Error (2016), Spring Alibi (Adelaide AU 2015; 2005, 2014; Washington DC 2006; Yukon 2007; Sask. 2012); Never Let the Crew See You Cry (2013+tour), Four in the Crib (2012, 2013, High River 2018), True Grid (2007, 2010), Support Ho’s (2009), Beans & Rice (2006, Sask. 2017), Gibberish v. Genius (Canmore, YEG 2018), and Almost the Pioneer Brewing Company (Canmore, YEG, Fort McMurray 2018). Linda’s plays have garnered sweet accolades including two Sterling nominations. Linda is delighted to again work with David and to be around such a fine, fun troupe of actors.

Inquiries concerning licensing and rights should be e-mailed to Linda Wood Edwards

Northern Sabbatical Productions Presents Trail and Error Her Pioneering Spirit Led Her North To a Rendezvous With Her Soul! Just The First Of Many Poor Decisions....

Trail and Error by Linda Wood Edwards

After a horrible year Linda challenges herself to do something even worse: the Chilkoot Trail. In bear and avalanche season. In borrowed boots. A century

Three Women Pose One Applies Lipstick One On Phone One With Backwards Baseball Cap and Red Industrial Wrench

Support Ho’s by Linda Wood Edwards

Four women use their weekly breakfast gathering as the anchor to friendship and saner times. When the sanctity of their Friday foursome is threatened, they

True Grid Text on Football Graphic With Four Images of Sports Fans At Sporting Event

True Grid by Linda Wood Edwards

4 guys x 28 football seasons = over a century of bonding, rituals, and winning. Subtract 1 guy, add a lovely stranger, and risk breaking

Silhouetted Figured Stand In Line With Yellow-Orange Background

Beans and Rice by Linda Wood Edwards

This is a play about imagination, friendship, and understanding (and lice). Genre: Theatre for Young People (Junior High); Comedy Acts: One Time: 40 minutes Characters: 3 females, 3 male

Man and Woman Both Holding Phone to Their Ears while Tangled Together in the Curly Phone Cords

Spring Alibi by Linda Wood Edwards

Spring in the Yukon! The spectacular view from Marlene’s window leads her to some private discoveries. But other people have windows, too. A romantic comedy

Graphic of Four Elderly White People Standing Or In Wheelchair All On A Giant Cribbage Board

Four in the Crib by Linda Wood Edwards

Sex! Murder! Intrigue! Who knew cribbage could be this much fun? Four seniors struggle to keep their independence, stay active, and get over the skunk

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Mark Allan Greene

White Man With Short Hair Sitting At Desk With Feet on Table Behind Trash bin Surrounded By Paper Planes

Mark Allan Greene is a lawyer by trade, playwright/writer by heart. His inaugural play, Jesus Master Builder – A Divine Comedy, hit the stage at Walterdale Theatre in 2015 and was produced again at the 2016 Edmonton International Fringe Theatre Festival.

Mark holds a Bachelor Degree in Business Administration from the University of New Brunswick and a Juris Doctor from the University of Alberta. He sits on the Board of the Alberta Playwrights’ Network when they forget to bring chairs to meetings. He was born and raised in New Brunswick and, like 95% of New Brunswickers, is now living in Alberta.

Inquiries concerning licensing and rights should be e-mailed to Mark Allan Greene

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Darrin Hagen

Black and White Photo of Bearded White Man in Sunglasses Sitting By A Still Pond

Darrin Hagen is an award-winning playwright, composer and drag artiste. He is the author of The Edmonton Queen, which won a Sterling Award and was published in book form by Brindle & Glass Publishing. Darrin is the Artistic Director of Guys In Disguise, which recently celebrated a quarter-century of creating drag comedies that have toured across North America. He has received 7 Sterling awards for his work in the Edmonton theatre scene. Other plays by Darrin include Buddy (nominated for Outstanding New Play); With Bells On (nominated for Outstanding New Play); BitchSlap!The Neo-Nancies: Hitler’s KicklineTornado Magnet: A Salute to Trailer Court Women (published by Brindle & Glass); PsychoBabble and Dragula (both co-written with Trevor Schmidt); PileDriver! (co-written with Wes Borg); Men Are Stoopid, Women are Cra-azy (co-written with Chris Craddock).

Darrin has also directed and curated the legendary Loud & Queer Cabaret, which recently had its 20th anniversary, and is the editor of Queering the Way: The Loud & Queer Anthology, a collection of many of the writers that had been mentored by this unique event.

In 2005, Hagen was named one of 100 Edmontonians of the Century. To the best of his knowledge, he’s the only Drag Queen on that list.

Inquiries concerning licensing and rights should be e-mailed to Darrin Hagen

Tall White Drag Queen In Silver and Red Christmas Tree Drag and Nerdy Looking Bald White Man With Glasses and Business Jacked Standing Together in Stalled Elevator

With Bells On by Darrin Hagen

He is a mild-mannered accountant with persistent bad luck who heads out for his first night of adventure after a nasty divorce. He holds the

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James Hutchison

James Hutchison writes comedies, dramas, and mysteries. In addition to his original adaptation of A Christmas Carol, James has written “What the Dickens!” a full-length comedy about the Pine Tree Players’ production of A Christmas Carol where everything goes wrong. You can visit his website at www.jameshutchison.ca where you can download all his plays for free and read his blog where he interviews other actors, directors, and playwrights.

Inquiries concerning licensing and rights should be e-mailed to James Hutchison

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Ken Mastel

White Man Leaning to His Right and Holding Camera

Ken has taught drama for 25 years and directed dozens of plays. This is by far the funnest one for both the actors and the audience.

Inquiries concerning licensing and rights should be e-mailed to Ken Mastel

Two Dozen Young Performers Posing In Front of Red Barn on Stage with "Grand Old Opry" Sign

Greece! is the Word by Ken Mastel

A parody, the 50’s musical “Grease” set in Ancient Greece. Medusa is the beauty school teacher, a chariot become “greece lightning”. Teenage hi-jinx started a

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Chris McKerracher

Smiling Middle Aged White Man with Glasses and Goatee

Chris McKerracher is an Alberta-based playwright with many productions to his credit beginning with “Calmar; Zero to 50 in 90 Minutes” which was staged to sell-out audiences in 2005. This play and the playwright were also featured in a segment on CBC News. Since then, Chris has written many other comedies and has acted and directed in most of them. He has written plays for Halloween, Valentines, Christmas and a four play quadrilogy featuring The Crimson Cap Ladies, patterned after the Red Hat Ladies who are dedicated theatre-goers. For more information on the playwright and his plays, please visit www.communitytheatreplays.com.

Inquiries concerning licensing and rights should be e-mailed to Chris McKerracher

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Heather Morrow

White Woman With Long Blonde Hair and Polished Stone Necklace Looks Into Camera

Heather Morrow took drama in high school, decided it wouldn’t be her career…then won a playwriting contest. She has been writing since 1995 and has had productions with Edmonton’s Carnival of Shrieking Youth, Theatre Network’s NextFest, Walterdale Playhouse and the Edmonton Fringe Festival. She lived in Scotland for a time, producing her play Take a Bite at the 2007 Edinburgh Festival Fringe, earning great reviews and notoriety for her banana fetish. She earned her Masters in Creative Writing at the University of New Brunswick. Website: takeabite.ca

Inquiries concerning licensing and rights should be e-mailed to Heather Morrow

White Women in Burgendy Slip While Younger White Man in Grey tShirt Leads His Head on Her Shoulders

Take a Bite by Heather Morrow

An older woman and a younger man wake up in a bare locked room.  She, Vera, thinks it’s her boyfriend’s latest kinky trick.  He, Dion,

Crushed by Heather Morrow

Liv is the older, practical sister.  Ness is the younger, pretty one.  Liv is on her own, Ness lives with her boyfriend Corey, whom she

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Liam Salmon

Liam is an emerging playwright based out of Edmonton, Alberta. He’s almost finished his Bachelor of Arts in and has previously completed a Bachelor of Education in 2013. He was part of the Citadel Young Playwriting Company for four years were he wrote several plays including, All That’s Left, The Last Dandelion and DIG from 2010 to 2014. All That’s Left premiered as part of the 2014 New Works festival while Silence and the Machine premiered as part of the 2015 New Works festival. He’s excited to continue putting his pen to the page and seeing where that takes him.

Inquiries concerning licensing and rights should be e-mailed to Liam Salmon

East Asian Man White Woman and White Man All Young Sit On Floor Playing Video Games Looking at TV On Floor

All That’s Left by Liam Salmon

Bags set down on a familiar precipice, returning after five years Kevin looks around his family home, “It’s like nothing has changed.” His younger sibling,

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Seniors Acting Lab

Written by Members of the Seniors Acting Lab
Character and Dialogue Development by:
Rose Bene, Faye Brown, Louise Day, Randy Day, Normandy Sproule and Ingrid Stammer
Edited, Facilitated and Directed by:
Megan Fox
Dramaturgy by:
Trevor Rueger
Performed by the Seniors Acting Lab June 2 and 9, 2019
Lunchbox Theatre, Calgary, Alberta
On Tour October 2019 through March 2020

Inquiries concerning licensing and rights should be e-mailed to Louise Day

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