Announcement (Edmonton): Nominee Announcement – Mayor’s Celebration for the Arts

“The Mayor’s Celebration of the Arts”

NOMINEES TO BE ANNOUNCED
Thursday, March 1, 2012 – 10 am, City Room, City Hall

Mayor Stephen Mandel and the Professional Arts Coalition of Edmonton (PACE), together with the sponsors of the 25th Annual Celebration of the Arts, will announce the nominees in the following categories:

CN Youth Artist Award
Northlands Award for an Emerging Artist
TELUS Courage to Innovate Award
DIALOG Award for Excellence in Artistic Direction
ATCO Gas Award for Outstanding Lifetime Achievement
Mayor’s Award for Sustained Support of the Arts
Innovative Support of the Arts by a Business
John Poole Award for Promotion of the Arts
Robert Kroetsch City of Edmonton Book Prize, sponsored by The Edmonton Arts Council and Audreys Books
Performer Sponsor Syncrude
Media sponsors: CTV  CKUA  CBC

“I invite all Edmontonians to join PACE and me as we celebrate some of the best artistic talents our city has to offer!” said Mayor Stephen Mandel of the Mayor’s Celebration of the Arts to be held on April 2nd at the Winspear Centre.

Enjoy performances by the Rock and Roll Society of Edmonton Centre for Arts and Music a beneficiary of the April 2nd performance.

For more information: SJ Event Management Inc. sjevent@shaw.ca (780)993.4962

Report: Canadians’ Participation in Arts, Culture and Heritage Reached Record Levels

Hill Strategies Research reports that Canadians’ participation in arts, culture and heritage activities reached record levels in 2010
 
The percentage of Canadians participating in most of the 18 activities measured in the report – including art galleries, museums, festivals, historic sites, book reading, and more – reached record levels in 2010, higher than in 1992, 1998 and 2005, when this type of survey was also conducted.
 
The report also shows that, for many activities, there was a substantial recent increase in participation (i.e., between 2005 and 2010).
 
This means that a broader range of Canadians participated in arts, culture and heritage activities in 2010 than in prior survey years. However, this does not necessarily mean that arts, culture and heritage organizations are achieving record attendance levels, as the survey questions regarding frequency of participation are not specific enough to calculate overall attendance. In addition, the increase in attendance may be spread over a larger number of arts, culture and heritage organizations in 2010 than in 1992.
 
All Canadians participated in an arts, culture or heritage activity in 2010
 
In 2010, all Canadians 15 or older (99.7%, or 28.0 million people) participated in at least one of the 18 arts, culture or heritage activities. Because of changes in the survey wording over time, trends in overall participation rates cannot be calculated between 1992 and 2010.
 
Other key groupings of the participation data show that 72.4% attended a performing arts event or a cultural festival in 2010.
 
In 2010, 60.4% of Canadians 15 or older attended at least one theatre, popular music, or classical music performance in 2010 (16.9 million people):
  • 44.3% of Canadians 15 or older attended a theatrical performance such as a drama, musical theatre, dinner theatre, comedy (12.4 million Canadians);
  • 39.4% attended a popular musical performance such as pop/rock, jazz, blues, folk, country and western (11.1 million people); and
  • 12.6% attended a symphonic or classical music performance (3.5 million people).
Given changes in the questionnaire, the theatre, pop music and classical music attendance statistics in 2010 are not comparable to previous years’ data.
 
Respondents were asked three subsequent questions about attendance at cultural festivals or other performing arts events. In 2010, nearly one-half of Canadians 15 or older (47.9%, or 13.5 million people) attended a cultural festival or other performing arts event:
  • 37.2% of the population 15 or over attended a cultural or artistic festival (such as film, fringe, dance, jazz, folk, rock, buskers or comedy) (10.4 million people);
  • 23.0% attended a performance of cultural or heritage music, theatre or dance (e.g. Aboriginal Peoples, Chinese, Ukrainian) (6.5 million Canadians); and
  • 17.6% attended another kind of cultural performance (4.9 million people).
The 1992 General Social Survey did not include a question regarding attendance at cultural festivals, but this question was asked in the three subsequent survey years. There was very little change in the percentage of Canadians attending a cultural festival between 1998 (24.6%) and 2005 (23.7%). More recently, the percentage of Canadians attending a cultural festival increased substantially, from 23.7% in 2005 to 37.2% in 2010.
 
The percentage of Canadians attending a cultural or heritage performance increased from 11.8% in 1992 to 15.0% in 1998, remained stable in 2005 (15.1%), and increased substantially in 2010 (23.0%).
 
Unlike prior survey years, the 2005 and 2010 General Social Surveys did not contain specific questions about other performing arts disciplines, such as dance or opera. The 2010 survey also did not include any questions about participatory arts activities, such as painting, making crafts, playing music, acting, or dancing.
 

News: University of Calgary Opens Redesigned Rehearsal Studios

University of Calgary: New labs for creative performance research

Redesigned theatre and music studios create innovative learning experiences

CALGARY, ALBERTA–(Marketwire – Feb. 9, 2012) – University of Calgary drama and music students are polishing their creative skills in the renovated and newly named F.R. Matthews Theatre and rehearsal spaces that allow them to conduct experimental dramatic research and tune a room for acoustical accuracy.
 

‘Human exploration’ may not be the first words to come to mind when people think of a theatre, but students think of the F.R. Matthews Theatre as their new laboratory.

“In drama, our primary research is performance,” says Clem Martini, head of the Drama Department. “Our research involves audience and the human experience. Using the Yale University model, graduate students will operate the Matthews Theatre as their own arena of investigation.”

Currently, MA students direct mainstage plays for the Drama department’s annual season of performances. Martini says giving graduate students greater responsibility over programming in the Matthews Theatre will not only benefit them, but the department as a whole.

“We can now have the best of both worlds,” he says, “a theatre season in which faculty and guest artists direct, and a graduate season in which undergraduates have opportunity to observe graduate students’ research.”

The renovation also resulted in the addition of music rehearsal studios on the lower level. The Percussion Studios are specially configured to house percussion instruments for teaching and practicing. The Instrumental Music Rehearsal Studio was built to mimic the Eckhardt-Gramatte Concert Hall stage in the Rozsa Centre.

“The studio is acoustically treated, and can be ‘tuned’ by adjusting fabric panels on the wall and ceiling, similar to what is in place in the Concert Hall,” says William Jordan, head of the Music Department. The near sound-proof space also features storage for equipment and instruments, breakout rehearsal spaces, and a recording studio.

The renovations were made possible by a generous donation from F.R. (Dick) Matthews in 2010. The theatre and rehearsal spaces opened to students in fall 2011 and will have their grand opening celebration February 9, 2012.

“Mr. Matthews’ gift has given students more than a revitalized space,” says Kevin McQuillan, Dean of the Faculty of Arts. “He has given a commitment to ensuring the university continues to deliver innovative and enhanced student experiences in the performing arts.”

The University of Calgary is a leading Canadian university located in the nation’s most enterprising city. The university has a clear strategic direction – “Eyes High” – to become one of Canada’s top five research universities by 2016, grounded in innovative learning and teaching and fully integrated with the community of Calgary. For more information, visit ucalgary.ca.

Event (Edmonton): A Tribute to Marlene Kottke

 
A Tribute to Marlene Kottke
 
This is a celebration of life for Marlene, who passed away January 15, 2012.
All members, past members, friends, and family are invited to attend.
 
Saturday, March 3, 2012 at 4:30 pm
Walterdale Playhouse
10322 – 83 Avenue, Edmonton, AB  T6E 5C3
 
If you have a story or comment to share about Marlene or your relationship with her,
please send it to either Joan Hawkins at heys@shaw.ca or Geri Dittrich at gmlwd@shaw.ca.
We will compile these notes for presentation at the tribute.
 
Fellowship and refreshments will follow the program.
 
Theatre Alberta wishes our sincere condolences to friends, family and colleagues of Marlene.

News: Calgary Arts Development Announces New Funding Program for Arts Groups

NEWS RELEASE 
For immediate release 
February 2, 2012

New Funding Program Announced for Arts Groups 
Calgary Arts Development Launches New Client Induction Grant Program

(Calgary, AB) – Calgary Arts Development today announced the New Client Induction Grant Program, developed to invest in arts organizations that are eligible, but not currently funded through Calgary Arts Development’s Operating Grant Program.

In November 2011, City Council responded to CADA’s request to deal with unprecedented demand from new clients representing diverse and emerging organizations through an increase to CADA’s annual base funding. In 2012, $175,000 will be available through the New Client Induction Program. The New Client Induction Program is open to all eligible arts organizations not currently funded by CADA, with priority given to diverse and emerging organizations.

“Calgary is an increasingly diverse city in the midst of dynamic change,” says Terry Rock, President and CEO of Calgary Arts Development. “As the City of Calgary’s designated arts development authority, we need to provide a set of programs that can respond to our changing city and enhance the artistic and public impact of Calgary’s arts organizations and artists.”

A dedicated program for new clients enables Calgary Arts Development to plan for the future more effectively, while at the same time investing in organizations that often represent the next generation of artistic practice. The program also serves as a knowledge-building exercise for CADA, enhancing the ability to measure and communicate the impact of the arts on the long-term success of Calgary.

Applications to the New Client Induction Grant Program will be assessed within the context of the organization’s mission, vision and mandate. An arms-length independent assessment panel comprised of artistic peers and community members will consider the applicant organization’s plan for the year in which they are applying and their achievements during the previous year.

Applications and guidelines are available as of February 2, 2012 and the deadline for applications is 4:30pm, March 15, 2012. For more detailed information on the program’s guidelines, application and assessment criteria, please visit CalgaryArtsDevelopment.com/Induction_Grant.

For more information about the application process, please contact Calgary Arts Development at grants@calgaryartsdevelopment.com or 403-476-2031.

PUNCHDRUNK Comes to Canada for Dramaworks 2012

Sleep No More - punchdrunk

Sleep No More Photo courtesy thenytimes.com

Theatre Alberta is thrilled to announce that punchdrunk, one of the UK’s most innovative theatre companies, will make its first trip to Canada this summer to lead a featured professional master class at Dramaworks in July 2012.

Combining traditional theatrical texts with innovative technology, punchdrunk is a pioneer in immersive theatre: they encourage audiences to participate wholly in the world of the play rather than simply present it to them.

Facilitating this exciting master class will be Maxine Doyle, punchdrunk’s co-artistic director and choreographer of their first North American hit, Sleep No More – a Film Noir reimagining of Shakespeare’s MacBeth – which is currently enjoying an extended run in New York. Ms. Doyle and an additional member of the punchdrunk creative team will lead participants through a challenging workshop based upon creating what the New York Times calls, “theatre for the interactive age.”

Theatre Alberta’s Dramaworks will be held from July 4 to 8, 2012, in and around the University of Alberta in Edmonton. Further workshop information and applications will be available in March on our website. 

More information on punchdrunk is available on their website. Read more about Sleep No More here and watch some extra video clips here and here

Click here for more information about Dramaworks
View news release as a PDF: Dramaworks – Punchdrunk – Feb 3

…from Theatre Alberta

“Theatre Alberta is so very pleased to welcome punchdrunk to instruct at Dramaworks 2012. Not only is this exciting for artists from around the province but it speaks highly to Alberta’s reputation for quality theatre and talented theatre artists.”

- Keri Mitchell
Executive Director

“Dramaworks participants, I hope you’re ready for the week of your lives. This is truly a life-changing opportunity.”

- Michelle Kennedy
Programmer

Theatre Alberta’s Playbill Goes Mobile: m.theatrealberta.com

All Shook Up - Keyano College

All Shook Up courtesy Keyano Theatre

Theatre Alberta is proud to announce the launch of a mobile site for The Playbill: the single most comprehensive list of theatre season information from nearly every theatre company in the province.

Audiences can now search for live theatre playing anywhere in Alberta using their mobile smartphones or tablets.

Users can tailor their search by month, by region, by theatre classification and/or by theatre company. They can also search for weekly improv or for school tours. Plays written by Albertan and Canadian playwrights or collectives are distinguished by icons: a blue icon of our province and a red maple leaf respectively.  

The 2011-12 Playbill includes information for more than 350 different productions: from professional to community theatres, independent collectives to post-secondary institutions. The mobile site includes links to theatre company websites, box office information, and links to Google Maps – so audiences can use their smart phones to find directions to the theatre.

Theatre Alberta’s mobile Playbill is generously supported by the Canada Council for the Arts and the Alberta Foundation for the Arts.

Mobile users can try out our new site at m.theatrealberta.com. If you are using a desktop or laptop computer, please browse to www.theatrealberta.com/playbill. Theatre Alberta will continue to print and distribute The Playbill poster to cultural hubs across Alberta.

Click here to view as a PDF: Mobile Playbill Feb3

…from Theatre Alberta

 “We want to inspire Albertans to discover the incredible theatre produced across our province every year. The mobile Playbill is a perfect example of how Theatre Alberta is able to support and encourage the development of theatre and theatre audiences in Alberta.”

- Keri Mitchell
Executive Director

 “Launching the mobile site is only the first step. Next season, we will collect data and expand the site’s capability to allow patrons to search by calendar date and genre, with even more precise show information literally at their fingertips.”

- Aaron Talbot
Communications and Marketing Coordinator

News: Fringe Theatre Adventures Executive Director to step down

Fringe Theatre Adventures Executive Director Julian Mayne will resign from the organization, effective June 30, 2012. Julian served as ED for six years.

Julian Mayne

In a statement, Sam Jenkins, President and Chair of the Board of Directors of the Fringe Theatre Adventures Society, said:

Julian’s six year tenure with our organization has seen the successful stewardship of new opportunities, new growth and continued theatre evolution. I am proud to have been involved with an organization with such a dynamic and creative executive director, and I am certain that FTA is stronger today for Julian’s influence.  [...] 

Over the past year, we celebrated our 30th festival where attendance skyrocketed to over 100,000 tickets sold. We re-invented our theatre season to better serve our stakeholders and the community around us. We continued to improve our service delivery for clients of the TransAlta Arts Barns.  

For more on this story, check out Liz Nicholls’ article in the Edmonton Journal.

From everybody at Theatre Alberta: we wish Julian good luck and many successes in his future endeavors!

Fundraiser: Calgary ACTS collecting donations for Bill Brown

On January 4, 2012 a fire in Nanton destroyed several properties including the home and workshop of Bill Brown, set builder for many community theatre companies. Calgary-ACTS is helping to collect donations for Bill and Kristine Brown to help rebuild.

Ways to donate:
Morpheus Theatre’s website or call their office at (403) 246-2999.
Storybook Theatre’s website or call their office at (403) 216-0808.
Or look for donation options at various community theatres in town. Note, these contributions do not qualify for a tax receipt.

Thank you for your support!Calgary ACTS logo